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1. Prelude-Tara's
Theme (Steiner)/Sky High (Buie/Nix/Hammond/Daughtry)-6:05 |
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A piano intro leads
into this rocking statement of purpose song. This great version
is performed with more power than the original. Ronnie Hammond roars
through the vocals and Barry Bailey provides a blistering introduction
to his excellent guitar playing before the tune uses one of ARS'
signature tempo changes to close with a slower but equally beautiful
guitar solo. |
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2. Champagne Jam
(Buie/Nix/Cobb)-5:14 |
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The party is in full swing as the band rocks through this mid-tempo
tune that rocks harder than the album version but reflects the original's
mix of melodies and tempos. A classic break is highlighted by Paul
Goddard's bass and Dean Daughtry's piano that lead into a jamming
guitar finale. |
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3.
I'm Not Gonna Let It Bother Me Tonight (Buie/Nix/Daughtry)-5:03
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An
easier flowing sound brings the energy level down. Hammond's warm
vocals flow over a rolling rhythm that picks up in intensity as
vocal and guitar interplay lead into another beautiful guitar closing.
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4. Large Time (Buie/Nix/Bailey)-3:28 |
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The
group's rocking tribute to the Lynyrd Skynyd band is delivered with
fire. Roy Yeager's driving drumbeat propels the screaching guitars
and heartfelt lyrics that document the two groups shared musical
heritage and keep the flame of Southern rock burning bright. |
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5.
Back up Against the Wall (Buie/Cobb)-4:06 |
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Years of playing and improved production techniques make the presentation
here an improvement on the classic original version. Hammond's vocals
shine and there is again beautiful guitar interplay that winds up
with an excellent solo to close the song. |
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6. Angel (What in
the World's Come over Us) (Buie/Nix/Bailey)-7:17 |
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This classic song opens with Hammond's vocal reflections on a lost
love, with musical backing that ebbs and flows. The music then shifts
into an extended instrumental jam that features tight ensemble playing
and a beautiful guitar workout by Bailey. |
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7. Conversation
(Buie/Cobb)-3:57 |
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This pace slows for this classic ballad from the "old days" featuring
Hammond's ponderings about a relationship gone bad over a beautiful
musical background. |
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8.
Imaginary Lover (Buie/Nix/Daughtry)-5:38 |
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The group's biggest hit showcases many of the group's strengths
live-a moderate tempo, great melody, clever lyrics, a beautiful
vocal, solid ensemble playing and instrumental soloing that flashes
brilliance. The added drive of the live version helps show how ARS
had grown beyond their studio band roots to be able to put on a
great live musical performance. |
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9. Doraville (Buie/Nix/Bailey)-4:09 |
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A driving beat and tight rhythm section provide an uptempo backing
for Hammond's vocal tribute to the town where ARS got it's start
and where it's a "hot time in Dixie" every night. More great guitar
soloing is featured. |
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10. Another Man's
Woman (Buie/Nix/Bailey)-14:33 |
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From the first notes it's clear this is something special. The bass
and piano come through clearer than on Red Tape, and the drums help
provide the backing for Hammond's yearning vocals and Bailey and
Cobb's guitar breaks. This songs shows off ARS' unique tempo shifts
to great effect. The song arrangement varies from but is equally
powerful to Red Tape-with a little less drive but perhaps even more
room for ARS to demonstrate their outstanding musical skills-from
the rapid fire and melodic guitar soloing of Bailey and J.R. Cobb
to Goddard's unprecedented, rapid-fire bass solo. This is ARS' Southern
rock anthem, and both in beauty and musical skill matches any others. |
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11. Georgia Rhythm
(Buie/Cobb/Nix)-5:40 |
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ARS' signature song about life on the road shines with this powerful
live version. Hammond's singing is great, the ensemble playing is
tight and the tempo ebbs and flows just like the life of a band
on tour. |
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12. So Into You
(Buie/Nix/Daughtry)-7:47 |
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Solid guitar and rhythm section playing provide the midtempo, layered
sound that was the foundation of ARS' several hit singles. Daughtry's
keyboards are presented more prominently to fine effect. Hammond's
feeling vocals and the closing guitar solos all combine to provide
a brief glimpse of how ARS was so much more that a singles band. |
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13. Long Tall Sally
(Johnson/Penniman/Blackwell)-3:41 |
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The album closes with a rocking version of this classic Little Richard
tune. This was the only ARS recording of this song available for
almost 20 years. "Havin' some fun tonight." |
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