Song
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1.
Jukin (also includes San Antonio Rose) (Buie/Nix)
(Bob Wills)-3:43
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The album starts off with a country
flavored electric romp that pays tribute to the music of Texas,
where "it used to be the Texas Playboys, now ole ZZs Tops keeps
on smokin'." It's a beautiful combination of stylized playing supporting
a lyrical tribute. |
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2.
Mixed Emotions (Buie/Cobb/Nix)-3:20 |
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This driving rocker features a bluesy
guitar riff that supports and wraps around a vocal debating whether
a relationship is love or not, with some of the band's trademark
shifting rhythms and ensemble playing. |
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3.
Shanghied
(Buie/Cobb/Nix)-2:14 |
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Mixed
tempos are used effectively again here as a driving intro serves
as a recurring theme, alternating with a slower, lighter backing
for the vocals. |
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4.
Police!
Police! (Buie/Cobb/Nix)-3:11 |
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A
wailing siren is followed by wailing guitars that lead into and
recur throughout a rocking review of a night of good times on the
town that have resulted in "being in the wrong place at the wrong
time." |
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5.
Beautiful
Dreamers (Buie/Cobb/Nix)-3:26
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The pace slows for the only time
on the album with this lovely ballad that pays tribute to those
who "care enough to dare to carry on." The lyrics offer a timely
meditation on the fading idealism of the late 60s-early 70s youth
culture. |
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6.
Oh What A Feeling (Buie/Nix/Bailey)-2:39
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It's back to rocking with this rave
up that features soaring vocals and guitars and a pounding beat
that musically reflect the joys of a beautiful relationship. |
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7.
Free Spirit (Buie/Nix/Hammond)-3:35
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In this classic, a solid beat again
provides the foundation for a driving meditation on "a girl with
a mind of her own…way ahead of her time." The lyrics use one woman
to represent the free love of the 60s and is a classic timepiece
looking at the passing of the era of free love. |
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8.
Another Man's Woman (Buie/Nix/Daughtry/Bailey)-9:47
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One of ARS' signature songs and a
rock and roll classic, this signature song starts off alternating
between Ronnie Hammond's yearning vocals and guitar breaks of Barry
Bailey and J.R. Cobb played over a driving rhythm. ARS' unique tempo
shifts are used to great effect as the song moves first into extended
guitar soloing and then into Paul Goddard's bass solo-showcasing
a unique talent in top form. The song and album wind down with traditional
slow blues after taking ARS to new musical heights that foreshadow
the popular success to come. |
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